The Queen In Waiting (The Columbia Years 1960-1965)
Franklin s Columbia years are hard to summarize in compilations, even fairly extensive ones such as this two-CD set, which includes six previously unreleased tracks and one previously unavailable alternate take among its 40 songs. In part that's because she explored several different styles during this era without really finding a home in any of them, in part that's because the quality of the recordings themselves were so erratic, and in part it's because Sony keeps putting out compilations that duplicate each other to a fair extent. About half the songs on this anthology, for instance, also appear on the most comprehensive previous Franklin Columbia retrospective, Jazz to Soul On its own merits, this is a fair summation of some of her more notable Columbia recordings, slightly more pop oriented in its track selection than Jazz to Soul and at least including something new in the handful of unissued numbers. David Ritz s informative liner notes make a case for viewing the Columbia years as ones with numerous artistic successes. But the fact remains that the mixture of lush pop Billie Holiday style jazz-blues Dinah Washington Nancy Wilson style jazz-pop crossover, early Dionne Warwick style light soul-pop ("Cry Like a Baby" is actually a quite good cut of that sort), and hints of gospel is unfocused, if often promising. And it's not nearly as good or expressive as the soul she'd delve into at Atlantic after leaving Columbia Her accompanists sometimes deserve their share of blame as well; the drums of "Nobody Knows the Way I Feel This Morning" almost totally lose the rhythm at one point, and the harmonica player on "Evil Gal Blues" sounds like she or he had just been dragged in off the street. There's not much soul music here, in the accepted stylistic sense, other than the two best tracks, "Soulville" and "Lee Cross," which are the ones that point most convincingly to her future triumph as the Queen of Soul. The previously unreleased items (all on disc one) are as variable as the rest of the set, ranging from the satisfyingly bluesy cover of Ray Charles "Hard Times (No One Knows Better Than I)" (with some fine Franklin piano) and the respectable jazz R&B gospel of "Please Answer Me" to trifling Bobby Scott produced orchestrated pop ballads and an unremarkable alternate take of "Bill Bailey, Won't You Please Come Home." ~ Richie Unterberger, All Music Guide
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Credits »
John Hammond, Sr. - Producer
Steven Berkowitz - A&R
Micaela Boland - Design
Bob Johnston - Producer
Frank Laico - Engineer
Fred Plaut - Engineer
Vernon Smith - Photography
Mark Wilder - Mastering
Mark Wilder - Mixing
David Ritz - Essay
Leo Sacks - Mixing
Leo Sacks - Compilation Producer
Don Hunstein - Photography
Howard Fritzson - Art Direction
Hank Parker - Photography
Hank Parker - Cover Photo
Curtis Lewis - Arranger
Beyoncé - Author
Seth Foster - Digital Editing
Darren Salmieri - A&R
Bobby Scott - Arranger
Bobby Scott - Conductor
Bobby Scott - Producer
Clark Dick - Author
Jill Scott - Author
J. Leslie McFarland - Arranger
Warren Vincent - Engineer
Stan Weiss - Engineer
Clyde Otis - Producer
Robert Mersey - Producer
Robert Mersey - Conductor
Robert Mersey - Arranger
Nikki Giovanni - Poetry
Janet Jackson - Author
Aretha Franklin - Main Performer
Erykah Badu - Author
Stan Tonkel - Engineer
Patti LaBelle - Author
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